Kai Yokoyama - The day you were born, I wasn't born yet
Photographer Kai Yokoyama writes, "The day you were born, I wasn't born yet." His musing traces the temporal arc between present and past, and therefore, became the likely title for his series below. When the pandemic began in 2020, like many others, Yokoyama’s grasp of control loosened. He found stability however, through spending time with his parents and re-connecting to his past. On days in which Yokoyama went for walks, he’d walk to where his late grandparents lived and took photographs as a means to connect his present being with the past. He writes, “It was a kind of spatiotemporal movement as if I went back to where my soul had been. There were memories full of love and sadness.” This April, his father said, "This year's cherry blossoms don't look beautiful at all." As their pink and white petals scatter in the air, the inevitability of death falls to the ground.
The ubiquitous cherry blossoms have, for a very long time, been synonymous with Japan and the Japanese. From the 19th century into WWII, cherry blossoms came to symbolize a soldier’s sacrificial honour of “dying like beautiful falling cherry petals” for their country. Yokoyama remarks how Japanese military songs sang "Since we are flowers, we are doomed to fall. Let us fall magnificently for the country." His grandfather, he writes, “Went to the Pacific War. He came back and gave birth to the daughter who gave birth to me. I think it's a miracle. There are countless reasons why I wasn't born here.” And so, as the world shifts, and the blossoms fall, the earth evokes mono no aware, 物の哀れ–the pathos of it all.
- Alexa Fahlman