Contemplating the all American road trip with Anna Hahoutoff
This series called is called Americana. It is a body of work I started in 2014, while visiting a friend in California. I am a French / Russian photographer and most of my childhood has been strongly influenced by Russian culture, and imagery. It was my first time visiting the United States after more than two decades of dreaming about it. Though my visual references were Russian, my interest as a teenager was turned towards the great west and American commercials and movies imposing themselves in my visual dictionary, creating an aesthetic dichotomy between East and West. At this point, I was living in France, symbolically almost right in the middle. Visa in hand I spent a couple of weeks traveling through California but it was too great of a shock, I decided to spend more time there in order to document my version of the United States. I threw away my return flight and have been there on and off since then. I’ve traveled through more than 35 states so far, sometimes taking my time, coming back, sometimes just passing by depending on how much I loved the place.
It is an incredible experience to finally wander through these images we think we know so well, and have a look behind the curtains of the American dream. I’ve spent years watching movies in which Russia symbolises the evil, the bad, the enemy standing in the way of freedom, happiness, and glory of capitalism. Now I was finally in the core of all this and it became soon very striking what the distance can do on our conceptions. Far from the joyful american dream, especially this past year, I was witnessing great distress, open racism, extreme poverty in some places, cultural void in most states, and global misconception of the world. As if the idea of dichotomy was supposed to stick to me, I started to develop a love/hate relationship to the country. In one hand, everything was disappointing, fake, sad and quite terrifying. On the other hand, everything was entertaining, excessive, gorgeous, and fascinating.
I am constantly amazed to see the empire such a young country was able to build. Empire that is obviously declining right now. We are witnessing loud and clear the fall of the American empire.
Through my work, and far from ubiquitous road trip stories I wanted to create, to feed, a global imagery, very abstract and far from all these concerns, almost like a series of still lives or old paintings. I concentrate on textures, colors and shapes, and have numerous elements that are coming back from one state to another. Whether it is colors, angles or subjects I try to weave a coherent visual lexicon of my United States. Trying to gather the similarities and differences from every state I am in a way trying to find familiar elements in unfamiliar places. Nature is to me the most incredible thing to experience in the USA, and this is why I rapidly decided to focus on this aspect. The natural landscape. Far from all the ephemeral, the constructed, the simulated, nature remains to oldest part of this continent, and brings back to a part of history very neglected: the native americans. Getting lost in these settings definitely gives you a glance at what this country was before the invasion and how beautiful and glorious it must have been. I have always been close to nature but clearly after these years spent in America my relationship to nature has changed a lot and it became a necessity more than a treat. Having easy access to such landscapes is truly life changing. Though my work completely steers clear of political and social issues I thought it was very interesting to travel across so many states at such a heavy time. It was incredibly interesting to go from one town to another, one state to another and discuss with very different Americans about the state their country is in. Many things became all the sudden very clear, and I found answers to many questions, though I did not like or agreed with most of the answers.
I like the idea of documenting this quest through really contemplative images, very immobile, using soft colors as if I was completely disconnected from the reality around me.
Between 2014-2015 I did the northern states, and between 2016-2017 the middle and southern states. I believe that at some point, I was searching for a visual unity in my images in order to replace the one I could maybe not find in the states. I was answering the question: Are the United States united? The answer obviously is yes and no. There are countless major differences between all the states, but they unite around one idea, being part of the greatest nation on earth. The American nationalism seems to have no limits. I’m really interested in that, and what gathers nations in general, what unites and divides individuals.
I feel like I worked on this project with great pressure, as if I knew that I would not have the opportunity to come back, or at least, not anytime soon. Therefore, the whole experience has been kind of tainted by the fact that I was living behind my camera, shooting as much as I could and constantly trying to capture moments, leaving little time to actually live them.