I grew up there with cement and tiny fake grass because my father is a hydraulic engineer. I watched my father walking through that shadow and sunlight, looking at the world he made. Humans become the god at a specific moment and space to recreate the nature that can be controlled by them.

On the outskirts of Frankfurt, nestled within an industrial area, lies an enclave that undergoes a quiet transformation every Sunday.

Stemming from a pagan tradition where peasants constructed fires with domestic waste to celebrate the end of winter and seek protection for the new year ahead the tradition has taken a unique turn in the city of Napoli.

Between 2011 and 2013, I documented a group of fashion models from former Soviet countries working in Hong Kong. As a photographer, my work has always focused on exploring the intersection of culture and identity. My project, "HK Top Models," delves into these themes through the experiences of young people from former Soviet countries who come to Hong Kong to pursue modeling.

In "Through the Revolving Door," my photographic project delves into the nuanced accessibility of "semi-public space" within the context of our era's pervasive privatization.

The Sibillini Mountains are rich in narratives closely tied to the figure of the Apennine Sibyl. Prophetess, friend of the people, Madonna, pagan deity, personification of evil—she embodies the place's inherent ambiguity

The concession of the word being carries within it a sense of decadence, forgetfulness, and unawareness. The brilliance of the beginning illuminates our understanding, but it does so by confronting us with our own negativity.

In what does the image of a country consist? Thus begins the collection of texts “Infinite Circles” by Cees Nootebom. This is one of the questions I asked myself when I first visited Japan.

Paired in playful conversation with each other, "I’m good, how are u?" is a striking collection of photographs that finds the strange beauty in the decay of the ordinary, revealing the poetry hiding in plain sight.

Teeth as a record of human experience.

My work examines the idea of community and its intersection with society, interrogating the limits of contemporary definitions of human intimacy and the importance of solitary.

This collection documents an unexpected journey during my travels, in a place called Norgris Town, where I spent the final days of winter. The Daltons, who have three children, graciously took me in. However, it was the peculiar pre-dinner prayer that piqued my curiosity…

Delicate - fragile bloom, the tender touch that leaves an indelible mark. Photography is my safe space, a sanctuary where I can embrace softness, calm, and delicacy

These photographs are of worlds built with my own hands. The concept of how space affects internal life is central to my process. Fabricated spaces or events have a theatricality that thrills me.

An inner voice whispers : '’Reach the pink lakes, the blue volcanoes, the white walls. Hold a balloon before your head. Take off your clothes in the middle of the landscape.

Without immediate access to nature, I started the series trying to use photography as a meditative device to find calmness in chaos.

Adolescence, that strange transitional period when unique identities, personalities and characters are defined, is a time of contrasts and discoveries, often perceived by adults as unfathomable and remote.

This is a heartfelt story about my friend Xiao and her family's journey in the rubber industry in Southwest China, from its rise to its eventual decline.

This ongoing project, like a bad omen, emphasize our helplessness and uncertainty when it comes to the living world that we have dissociated from.

This project was made during pandemic, it's about the ordinary objects and the most detail of them using photogram(scanogram), which present a macro world that we wouldn’t see with our eyes in daily life.

The inspiration for this project stems from the desire to tell the story of the strong bond that unites man, nature and time in my region, the Aosta Valley.

“The examination of genetic markers within the free fetal DNA (cfDNA) extracted from the expectant woman’s blood sample and the DNA isolated from the sample named ALLEGED FATHER reveals genetic COMPATIBILITY, supporting hypotheses of paternity”.

'Framing a Romanian Landscape,' a new photobook by photographer Mircea Sorin Albuțiu. In 2021, Albuțiu, known for capturing the unseen in life's backstages, embarked on 8-month journey, traveling 11,000 kilometers across Romania while riding 62 trains.

Below the Sea of Fog, was shot over the three-plus years of the pandemic. The pandemic haunts us still. For myself, the pandemic was marked by my family’s health challenges, and my own work reversals as a feature film maker.