I live in São Paulo a city of over 12 million people that is known to be a grey city due to its lack of colours in its buildings and urban art.

The feeling I get from an unexpected perspective is what I also hope to offer with my images if possible. Instead of seeking cohesion in my work, I prefer to keep the compass spinning.

What was the Hungary my parents grew up in like? Cruel compared to the West, humane compared to its neighbours, absurd from today's perspective, and somehow charming when seen in old pictures.

What is a landscape?

EISE an investigation into photographic language. The images try to communicate in various ways, from symbolism to archive, from image as code to installation, always the same photograph: “Bliss”, the hill photographed by Charles O’Rear, which has become the iconic background of Windows XP

Baranja is a place of my roots, my family. A dreamy region in Eastern Croatia where life passes slowly and where you feel nostalgia for all seasons. Baranja is a diverse and tame landscape where the misty fields remind me of a dream from which I never woke up.

No Traffic Jams is a 3 part series based out of Aroostook County, Maine.

Homo Saurus is an ironic/satirical project that, based on the bizarre conspiracy theories about reptiles, stages an altered and dystopian world. The story is reconstructed through fictional documents that testify to the coming of the humanoid reptiles on our planet and within their home planet Nibiru.

These are my archival photos from 2015 to 2018. During the last few days I kept going back in my archive and my memory to those years - when there was an occupation of Crimea by the Russian Federation; when the war in the Eastern part of Ukraine, which was not acknowledged in time, started and continued until February 24, until now the full-scale invasion...

I live in the southern suburbs of Athens, Greece. Inhabited continuously since the ancient times, this is a place characterized by material abundance and laid-back, luxurious lifestyle. At the same time, high fences, barbed wires and surveillance cameras turn the houses into strongholds or border barricades and the streets into some kind of urban “no-man’s land”.

Photomontages of surreal cityscapes embody the disquieting experience of how our lives have been interrupted and transformed by the ravages of a global pandemic. In March, 2020, we retreated from our daily routines and into our homes for an unprecedented period. During prolonged lockdowns, we relied more than ever on the digital arena for connection, support and psychological survival.

“My recent work explores flowers in the occasions of life and death - in celebration, memory, and in mourning. Flowers are reminders and remnants, mementos of lives once lived. I create art to capture and preserve the essence of being in these moments.”

“The project is dedicated to my hated and beloved suburbs. Through a metaphysical approach, this series examines the theme of photographic obsession and the tension of everyday life.”

My last project is "Du musst dein Leben ändern.*" The series focuses on the media appearance of contemporary polarized political discourse ( especially in Hungary ) and its impact on the human psyche.